Sayings And Quotes Butterflies

poetry Cycle 2010 Cycle

poets involved with reading in our Cycle 2010, Phaedrus

Tuesday, 25 November

Marcelo Carneiro , Osvaldo Bossi, Minici Florence, Florence Abbate, Maria Julia De Ruschi, Luis O. Tedesco

Luis Tedesco

Florence Minici

Maria Julia De Ruschi


Marcelo Carneiro

Osvaldo Bossi

Florencia Abbate


Thursday November 27


Schvartz Claudia, Juan Fernando García, Patricio Torne, Cristian De Napoli, Daniela Camozzi Ana Arzoumanian and

Juan Fernando García

Claudia Schvartz

Patricio Torne

Ana Arzoumanian

Daniela Camozzi

Cristian De Napoli

Tuesday, 30 November


Silvia Castro, Daniel Freidemberg, Gabriela Pais, Alberto Szpunberg, Jose Villa and Viviana Abnur

José Villa

Alberto

Szpunberg

Gabriela Country

Daniel Freidemberg

Silvia Castro

Viviana Abnur

Oasis Of The Seas Swot

Phaedrus Phaedrus Poetry: 23, 25 and November 30, 2010. Piatock

Poetry Phaedrus Cycle, five years!

invite you to celebrate with three games listening to:

Tuesday 23/11

Florence Abatte Osvaldo Carnero

Marcelo Bossi Maria Julia Florence Ruschi Minici Luis Tedesco

Thursday 25 / 11 Ana Arzoumanian

Cristian De Napoli Daniela Camozzi

Juan Patricio Fernando García Claudia Torne

Schvartz

Tuesday 30/11

Viviana Silvia Castro Daniel Freidemberg Abnur

Szpunberg José Alberto Gabriel Villa Pais

All readings are at 20 in Library Phaedrus, Carlos Calvo 578, San Telmo

are waiting!

Coordinators: Ana Lafferranderie and Florence Walfisch

poesia@fedrosantelmo.com.ar

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I did everything right

Small text (for short, appropriate for the blog) of a book irreducible to them . To read full. Hard to choose, get them out of the whole. No express fraction of what the book is its diversity of topics symbols, alternating voices, the kind of speech of each character. Using exquisite lyric with militant terminology. Edge. The humor. And the way that close, intimate ("affective," someone said to me well.)

"The academy Piatock" Alberto Szpunberg . I would put it between what I liked about it read this year, if the word "like" might express something of what made me read.
might add: a book that must endure, that stands out as a work that brings light to his lucid eyes. And free book, the kind that a poet writes when you know, when you have the resources to say what you want, as you want and could not be tied to anything since.

Chapeau for Don Alberto, that in addition to everything (and earlier) accompanies his writing with an attitude of always looking forward to learning.

Victoria and Sabina, my daughters

A Shila, the dog

A Tula, the turtle

A Manolín, the lizard

A fellow Brigade

SPOKEN PIATOCK

I Piatock, I saw many things in my life:

on the eve of most terrible day of all days, I attended the birth of a lamb with two heads:

with a nod, the other refused, but in all the four eyes shone

the same unique look of that in one form or another will die.

I felt that the four eyes looked at me and still wet

my eyes the same glance.

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Now I realize that the burst of light and shadow burst and, though opposed, or precisely because of that, they have in a burst and common between the two only half a blink,
but yesterday, Friday afternoon, though I covered my eyes with his hand to light the candles and bow,
felt the sun set slowly in my heart as if it takes time to squint the longest of my life:

what is what the eye sees but the fleeting flicker of his eyes?

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Now I realize that both a speck of dust as the infinity of the promised land, everything goes down the slight flicker, and even land
that is dust and dust promise made, everything is a foreign body which intercepts the light and all alike
tearful pupil to clean it, but only after crying vision becomes clear.

When the water hole dries up
the most beautiful dream leads to blindness.


THE GLASS WORKER examine the objective conditions CUP MIRACLE

do

tell me what a miracle if I am charging across the desert on my shoulders and then dump the sand in the pot and pick up the hot liquid into the mold and give the shape of my thirst and polish its place as the emptiness of my

hunger and still bleeding in the palm of my hand the memory of the smaller splinter?

What miracle tell me if every time I touch the reality

even the air is harsh and always leave my fingerprints caresses and sometimes even if unintentionally hurt?

What miracle cup talk to me, if it is a ploy by the glass and crystal factory Glasserman Hnos whose shares rise or fall as I sink or surface, but always with the desert hills, with such transparency in the eyes, this redemption, this illusion that hurts and away, always away?

REFLECTIONS IN G MAJOR HORSE PIATOCK

Piatock and I do the same roads together, have the same fate, we are part of the same car, we splashed in the same bar, but "take me with you Run "Piatock heard saying to me one afternoon and were verses from the King to speak to me as clearly as I snort with you, and I smelled the pampa of beat and saw all the wheat until it joins the sky and shook their manes and lifted my legs and bucking and kicked and screamed my way of singing songs, until I heard the crack on my head with the whip, and bit the bridle, and never fucking, never been so strong metal never so hard.

THE SHOPKEEPER proclaimed its neutrality

What else?, I ask, I hold in my hands all the sweetness of the tea:

cold outside, outside nevará at any time, say out to be war,

but no wood in the attic for several months, hammering on the wall the clock, it always gives the exact time,

and in the photo, where my daughter wears white, has barely held its pendulum constant.

SPOKEN PIATOCK

I Piatock, I saw many things in my life:

there was a day when all covered their nose and not breathing and looked the other way

but plunged my fork into the cesspool and took what he gets', but I understood that, why not, also was a destination.

The Cabal ANDANTE DECODE THE STONE OF FOLLY

Sometimes, even in the midst of a look, stumble smack into the stone and I stray word two syllables of the road: the "r" is both tough and were it not for the warmth of the writing hand soft moss, oh, soft moss between the cracks of the stones, the bewilderment of heart would be enough to get lost in the madness, then I leaned over and close my eyes and even some pity always among the syllables harder, and more succinct the hidden hand that writes the word stone which the cast, especially if you do the infinite center of water, the waves spread and overflow once and for all the source of tears.

Alberto Szpunberg

Piatock Academy of

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Site

I was right.
Tonight I covered the cage of birds, left without electricity
fish
captives slept with one eye, I took the stairs
, along with his past life,
the cat.
I did everything right.
Now I'm alone and Billie Holiday tells me
hammock, his voice filled with grass and sour
a story for sleep, a dream. She says and has
things I know, hammocks, soft
alone.

now dawning is the day forever.
Me hammock. I am alone. I did well, so good.

Sabal Jorge Garcia

(Blank Slate)

Photo Costanera Sur Ecological Reserve, Buenos Aires, 2010

spring at

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A poem by Jose Villa (Camino de Vacas, Gog and Magog)

River

In the evening, almost icy water,
turbid white gloss
current levels

growing fast, the fish can not catch
not seen near the shore
where we washed the feet
of silt and sand
there is the figure looked up,
dark about loneliness
water demolished the bridge structure;

recent cars start to leave the beach little by little
going on and becoming more deserted
going with the waves engulfing soft
ice, the fish
to slip in the muddy
sand; started dating
to give back the river, the shadows are
as great sadness, the fish in the water frozen in the

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storm

drop like a dove nest

sweep the nest tree for a

heavy storm and rain

everything wet, wet now

peak of the dove, his round eyes, feathers

white and gray, his body submerged in

rain and wind, that everything he touches turn

twigs of the nest, the spread

and sink into the ground, and so

branches disappear, nest, pigeon

which is like all things disappear

who have completed their cycle

Paula Aramburu

presents Paula Aramburu book "Odd" in Phaedrus, on Friday November 12 at 20

Presentation by Claudia Masin

Photo: from the movie The Bridges of Madison

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Tonolec - The Huntress / Ipiagai

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About Laura Chalar


Walking on water

Casa Magni, Gulf of Spezia, 1822

Mary hated it from day one. Hated it with a concentrated force and hard that I did not believe her capable, so deeply and intensely hated the new baby we hoped it was blood. But to me, under the radiant sky, gliding like a demigod on the luminous surface of the water, the bitterness I felt something as far away as the fog and cold of England, and that frown I became blurred, as the features of a long-dead person.

Laura

Chalar

( series perceived in the book Why English poets want to die in Italy )

Image: Hopper, Ground Swell

Stomach Feel Werid, Tired Alot, Peeing Alot

water present in the Phaedrus

Laura Chalar presents his book "Why the English poets want to die in Italy

Poetry and microtext. Editorial In aura of willow, 2010.

Friday 29 October at 19 and 30

In Phaedrus, Carlos Calvo 578, San Telmo

Presents: Ana Lafferranderie

Chalar Laura was born in Montevideo in 1976. Lawyer, writer and translator. He has published a collection of poems (so to speak, 2005) and two books of short stories (The Discreet Charm of the law, 2007, Major Honor in the contest of the Ministry of Education and Culture of Uruguay, and Flight of the Pterodactyl, 2009).

For 5 years he was co-editor of Versal, published in the Netherlands by an international group of writers. Has translated several Uruguayan poets, including Lieber Falco, and writers of English to Castilian. His texts have been published in England, America and Holland.

Text Publishers:

The fourth book in Laura Chalar ventures into a hybrid genre, halfway between poetry and the story - the "micro-text." The recovery of childhood and memory are present in it, but also the busy city every day and daily activities. The book contains a small number of texts, almost post on distant countries, and a sequence that traces the life of an English poet exiled from their land. As the back of the book, "Light texts (stories, poems or images, as given the light and the reader's mind) point the way."

Chalar

Laura is the author of three previous books. With one of them, "The Discreet Charm of the legal profession, won an Honorable Mention in Fiction published in the Literary Competition of the Ministry of Education and Culture of Uruguay, 2009 edition.

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"Let's play the Romans", I said (not long ago were children), said that the club them for disobedience, by cunning, by jumping the cord in the shade, frolic alone with his body and the piece lamps prohibited. But you, the painted eyes kool black, only touched the silver jewelry and you rozaste pale fingers, like an Egyptian queen "

Rocha Lidia

Fragment Rome, Editions butterfly and iguana, 2010

Photo: Colonia del Sacramento, March 2010

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I see a picture of my parents dancing. She has a happy face. Him of responsibility, effort and hard work. It is possible that the party you are invited to be in France. Were migrants. Viewing this portrait
try to make an abstract resemblance to the current situation of our country. A tambourine country where they make a famosillos Princess of coated paper and even dare to present it as a future candidate national elections, even predicting he could get seats and votes would deprive other left formations. I said, a country of tambourine.
But this takes all the TV shows and audiences soar.
"General Strike? That does not matter because we will discredit the social class called unions and convince the people of the failure of the call. That is the thinking of most of the media who will not fart its important benefits, perks, favors and concessions of all kinds.
All this, of course, seasoned with a little yellow press and some commentators with the same anti-union speech. Now it's question the legitimacy of unions and attack its constitutional role in defending workers of this country.
Education Reform does not matter: not going to be that workers understand the magnitude of this reform and we need to break the blank check that has been given to entrepreneurs cheaper labor costs and dismissal legalizing free and almost free. The country that a tambourine.

Education reform is a measure of the employers, the employers, which institutionalizes the timing. Which increases the power of business to question the collective agreements. RL is
extends redundancy without requiring justification or loss danger of viability to the company. Enter
preventive dismissal: it is not necessary that the company has losses, only to foresee for the future may terminate employment contracts.
dismissal is cheaper up to 80% leaving within 20 days of compensation per year of service - with a maximum of 9 monthly, of which 8 days FOGASA charged. We can dismiss
: current or future losses, to promote competitiveness in the market, a negative trend in sales, billing, etc. Dismissal
Express, dismissal for absenteeism to be low by IT.
But this in the media do not care, just want to know:
Do we need unions? Who legitimizes
unions?
Who are released, and how?

Questions are regulated by the Constitution, the Statute of Workers, the Organic Law on Freedom of Association and many other laws.
What a country that tambourine.

discredit the unions is an attack on the fundamental rights of workers and citizens. I

THE 29 S. .. IF I

Boluda Felipe Cabrera.

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I say we do not want

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In Margaret Atwood


Ice Palace Another

ice palace. Another semi-
paradise where all
desires are named and created,
and then met. Hotel
might be an appropriate label.

is not made of glass and steel
marzipan, golden-tinged water and gelatin
opal which
shining phosphorescent deep-sea fish such as
might think at first. No

are only dreams, are just clouds of breath
that
articulate in words: celestial bed, the breakfast buffet
.
invisible hands that bring food,

arranged sheets, display lights,
make violins sing a lullaby sweet
air, clean hair
you left in the shower porcelain
and leave a rose on your pillow
when you're not there.
Where is the fearsome beast
runs the show and longs for the kiss? Where the bodies
once
were attached to those hands?

Behind the scenes, there's a butcher.
see red petals on the floor.
expect to be petals. Do not open the only door
prohibited
which is the sign of

authorized personnel. Do not look
in the last room, the smallest,
oh dear, better not look.


Margaret Atwood ("The Door", trans.'s Somacarrera Iñigo)



Photo: Parque Centenario, Buenos Aires, 2010

Rugby Player Pants Down

The Lost Book


THE LOST BOOK
New microprogama CANAL Canal ECUENTRO

Meeting opens on Monday 13 September, the series of short "The Lost Book," co-produced by the National Library, Channel 7 and Meet and starring Luis Ziembrowski

The series uses the hybrid genre of fiction-documentary to visit on a renewed and most important original texts of literature and the Argentine trial. The buses are responsable by the actor Luis Ziembrowski and have written and directed by Gabriel Reches and produced by Alejandro Montalbán.

The Lost Book portrays the adventures of a character looking for a book, you never know what is, and in search of other books that cross her path. Embodied by the actor Luis Ziembrowski, the protagonist goes through a city with feverish poetic perseverance and hallucinations, in which readers seek books and they seek to unravel the secret encryption on a text that may not exist.

In each chapter the protagonist casually crosses a guest with whom he shared his troubles and perplexities: Tom Lupo will be responsible for giving their impressions of 20 poems to be read by Oliver Girondo tram in the chapter which opens the series. Then will be the turn of, inter alia, on the Transatlantic Fogwill Witold Gombrowicz, Horacio Gonzalez on the history of Argentine Railways Raúl Scalabrini Ortiz, Josefina Ludmer on Abattoir Esteban Echeverría, Horacio Verbitsky on Operation Slaughter of Walsh on The Christian Ferrer Head of Goliath of Ezequiel Martínez Estrada and Beatriz Sarlo on Fictions of Borges.

The series was co-produced between the National Library, Channel and Channel 7 and is composed of thirty episodes from 5 to 6 minutes.

premiere is Monday to Friday at 20:50 hs. from Monday 13 September, with random occurrences in the rest of the schedule.


The first 21 buses in their order of release:

. Twenty poems to be read on a tram - Oliver Girondo - Tom Lupo-Dur: 6:03:06
2. The slaughterhouse - Esteban Echeverría, Josefina Ludmer - Dur: 5:17:15
3. Operation Slaughter - Rodolfo Walsh-Horacio Verbitsky - Dur: 5:19:20
4. The breeze deep - Juan L. Ortiz - Liliana Herrero - Dur: 5:50:04
5. The head of Goliath - Ezequiel Martínez Estrada, Cristian Ferrer Dur: 6:23:03
6. Wires - Nestor Perlongher-María Moreno - Dur: 5:18:20
7. Women of a certain order - Juana Bignozzi-Washington Cucurto - Dur: 6:15:16
8. The analyzed texts - Fogwill-Maria Pia Lopez - Dur: 5:06:20
9. Tales of the Jungle - Horacio Quiroga, Fernando Spinner - Dur: 4:56:09
10. FFCC History of Argentina - Raúl Scalabrini Ortiz, Horacio González - Dur: 5:16:11
11. Ficciones - Jorge Luis Borges - Beatriz Sarlo - Dur: 6:28:18
12. Argentina literature and political reality - David Viñas, Eduardo Rinesi - Dur: 5:30:10
13. Martin Fierro - Jose Hernandez - Leonidas Lamborghini - Dur: 5:04:10
14. A trip to the Indians ranqueles - Lucio V. Mansilla. Américo Cristófalo - Dur: 5:36:14
15. Southeast - Haroldo Conti, Sergio Bellotti - Dur: 5:46:15
16. Gotán - Juan Gelman-Cristina Banegas - Dur: 4:56:07
17. Transatlantic - Witold Gombrowicz, Rodolfo Fogwill - Dur: 6:24:08
18. Crowds Argentina - José María Ramos Mejía, Javier Trimboli - Dur: 5:14:12
19. Secret weapons - Julio Cortazar, Jorge Gonzalez - Dur: 5:03:00
20. The Argentina international - Copi - Paul Marchetti - Dur: 6:31:01

More information about the cycle http://www.pagina12.com.ar/diario/suplementos/espectaculos/17-16676-2010-01-

17.html


CREDITS Starring Luis Ziembrowsky

Address: Gabriel Reches

Executive Producer: Alejandro Montalbán

Assistant Director: Ximena

Talent Production: Juliet Civelli

Lighting: Anahi Molina

Camera: Diego Camatz, Roberto Leonardo, Maximiliano Taricco, Andy Michaels

Live Sound: Dana Ale

Edition: Paul Tanno
consultants
Contents: Alejandro Montalbán, Maria Pia Lopez

Writer: Gabriel Reches
reviews
Texts: Maria Pia Lopez

Continuity: Ana Utrero

Assistant Production: Francisco Basualdo

Lighting Assistant: Lopez

Aylén Logistics: Luis Bertoa

Postproduction Sound: Juan Pablo Lucas